So I snagged a fully functional trial version. (I used Pluraleyes 2 because 3 wasn’t out yet. Looks like they released version 3.)
In a word: Awesome.
When I shot the pilot it took me 3 days to sync all the cameras and audio by hand. I synced 5 entire episodes in a day and a half. Really, it was more like 8 or 9 hours. I cannot tell you what a big deal this is. I can now be about the business of actually editing the scenes together.
I will be buying the retail version.
My workflow: Shoot with two HDSLRs and record audio to a Zoom H4n. Convert the h.264 raw files from the HDSLRs to Apple pro res 422 in Mpeg Stream Clip (trim and label each clip as I go). Import into Final Cut Pro 7. And now use Pluraleyes to sun two cameras and the Zoom audio.
Couple of warnings: You can push the program too far. If you have a lot of similar sounding clips, it can confuse the program. I had a few clips it just couldn’t sync. but they are easily placed by hand. It takes a lot less time to place a couple clips than to place them all.
Also, make sure your audio guy is rolling before the cameras start, and after they stop. If the audio is shorter than the video clips, you will end up with two synced videos and an unsynced audio clip. You can go back and placed the two video clips by hand, but it’s simpler if you just make sure the audio is rolling before and after each take. Plenty of pre- and post- roll on your audio tracks will help Pluraleyes do its job.