Just a couple of weeks ago I was planning to shoot a large project, over 2 days with a bigger cast and crew, with practical effects that would require equipment. I had gear and props, but I lacked people. Plus the abnormally heavy rains here in East TX would have made these outdoor shoots more difficult.
So, I pulled back. Quickly developed a new, simpler idea. on that I could shoot with less people, in a controlled environment. Even though it was a short script, I was surprised how well the shoot went. Not every shoot goes smoothly.
How did we shoot in 3 hours? I’m still learning how to be a good filmmaker. But these are some things that helped me for this shoot.
I didn’t have a lot of time. I needed a script that I could shoot with 2 actors and a one man crew. I use the Celtx online studio to help with all aspects of preproduction. I write, then do the break down, shot list, schedule and it automatically generates reports for each day of shooting.
Every minute you spend in preproduction saves many more in production and post. In this case, because I was shooting at my own home, I could really focus in on the shots. I still didn’t do storyboards, but I did walk every angle.
I have been on shoots without preproduction. The ones where you show up and there’s no gear. Where you desperately need lights or something, but you have nothing. The ones where the schedule is way too ambitious. Do yourself a favor. Do the work in preproduction.
I could walk the angles because I controlled the environment. I didn’t just scout the location, I was able to set up lights the day before and do tests. I didn’t have a big crew. In fact, the entire crew was me. I had to be in a controlled space. Because I had that access and control, this shoot didn’t have any surprises.
That’s not always possible. And that’s OK. You need to shoot where you need to shoot. But be aware of the location and make your plans. Knowing the location can keep unpleasant surprises from throwing off your schedule.
The two actors in “BRKN”, Anna Walker and Derek Henning, are really great. They didn’t just agree to do the movie for no money, they learned their lines and even got together and rehearsed before showing up on set. They had read the script, thought about it, and prepared for the shoot. Having the right people in your cast can make or break your shoot.
I wish I could say I have always had actors as good as these on set. I’ve had actors show up who obviously hadn’t looked at the script more than once. There are people who aren’t serious about it, or are just too busy. I’ve only had a couple of actors bail on a shoot completely, but that required major rewrites of a script at the last minute.
When you have actors who are not as good as they might be, you can adapt and overcome. You can feed the lines to them. you can adapt and overcome. But it takes time.
I am so grateful for Anna and Derek’s work on this project. Their professionalism was a big part of a this shoot’s success.
We were able to capture everything we needed fairly smoothly. There is no way to keep every problem from every set. Things will go wrong. Be flexible and solution focused. Get your project shot.
Now I need to get into Post production on “BRKN”. That will take longer than 3 hours.